Whereas too much love was about a relationship's soul-wrenching
dissolution, I'm Your Man is the post-breakup album-
dealing with a wide array of emotions -- from fits of false confidence
to the comforts of self-delusion to the relapses of despair. In
terms of George Jones albums, too much love is Memories of
Us and I'm Your Man is The Battle. Accordingly,
the musical styles on I'm Your Man are more varied than
on his debut. The playful whimsy of the opener, "I'm Your
Man," is immediately offset by the unhinged heaviness of
"God's Lamb," a powerful, propulsive number that could
stand alongside Nick Cave's Book-of-Relevations-styled stompers.
The aggressive, distorted voice on "Sick of It" surely
can't belong to the same guy who is practically whispering on
such fragile, gentle songs as "Baptist Memorial" and
"Pretty Foolish Things."
The songs on I'm Your Man were definitely written by
Harlan with performance in mind and it shows. There is a theatrical
nature to the songs, most noticeable on the monologues and dark
cabaret style of "My Life." Fans of the first album
should not fear, however, that Harlan has completely changed his
style. The majority of the songs on I'm Your Man undeniably
contain his signature elements -- tuneful country-fied, nocturnal
laments and articulate, discomforting lyrics in the confessional
vein. What listener could remain unaffected when Harlan sings
remorsefully of babies unborn in "So Bad?" or when he
desperately tells an ex-paramour, "you'll wish you'd stayed,"
on "One of These Days," arguably one of his best songs
yet.
The Memphis influence stands out most on the white soul stirrer,
"Last Step," which could have been pilfered from Dan
Penn's back catalog. It's impossible to be a musician in Memphis
and not be inspired by the fascinatingly diverse tradition of
the city's musical output. Though his debts are occasionally discernible,
his newest ultimately reveals that Harlan is finding his own unique
voice. He's already won the collective heart of Memphis, it's
time for the rest of the country to discover him. He's too good
to be a secret any longer.
Harlan
T. Bobo: Voice, Guitar, Organ
Jeremy Scott: Bass, Voice
Paul Buchignani: Drums
with
Jonathan Kirkscey: Cello
Chang Lee: String Bass
Tracks:
1.
I'm Your Man
2. God's Lamb
3. Baptist Memorial
4. My Life
5. Tick Tock
6. Pragmatic Woman
7. So Bad?
8. Last Step
9. Sick of It
10. One of These Days
11. Pretty Foolish Things
Recorded
by Doug Easley
Produced by Doug Easley, Harlan T. Bobo, Tim Prudhomme
Format: CD
Catalog # 33GONE
Goner
Records
2152 Young Ave.
Memphis, TN 38104
901-722-0095 (phone)
901-722-0096 (fax)
www.goner-records.com
gonerrecords@bellsouth.net
Release Date: July 17, 2007