"Light In The Attic and the legendary folk/blues/roots label Vanguard
Records are proud to begin a series of collaborations under the umbrella
Vanguard Vault. The series will explore the vaults of Vanguard and see
the reissuing of obscure nuggets, psychedelic weirdness and just some
good old-fashioned seminal music.
Originally released in 1972 on Vanguard Records, Bob Frankâ€™s self
titled debut album took elements of Dylan, Johnny Cash, and Ian Tyson
and filtered it through a pot-smoked haze infused with Frankâ€™s long-time
friend, Memphis guru Jim Dickinson. Dickinson and Frank shared a mutual
admiration that ran so deep that on Dickinsonâ€™s own 1972 debut album Dixie Fried
(released on Atlantic Records) he recorded one of Bobâ€™s songs, â€˜Wild
Bill Jones.â€™ Despite the Dickinson/Memphis connection, Bob Frankâ€™s only
LP for Vanguard has remained a forgotten, hard to find vinyl relic.
Carefully re-mastered from the original tapes, historical maverick
(and noted expert on the Memphis scene) Alec Palao recently interviewed
Frank in detail and assembled a lengthy essay and LP liner
notes that detail Frankâ€™s personal and musical journey." - LITA
As Dickinson once deadpanned, â€œBob went to Vietnam and Nashville. I
donâ€™t know which was worse.â€ It was also an itinerant period, when Frank
spent many a stoned evening staggering alone through the mid-south
urban gothic landscape of church steps and sleaze bars, with his guitar
glued to his arm, if not an actual extension of it. Songs would emerge
from dreams or drunken visions. But this was not artless acid folk, but a
series of picaresque, well-sketched vignettes delivered in a
clearly-enunciated vernacular, and all very much in Frankâ€™s own style.
On these 1972 recordings, session men Charlie McCoy and Eric Weissberg (both known for their work with Bob Dylan via Blonde on Blonde and Blood on the Tracks, respectively) came along for the ride.
This product was added to our catalog on Thursday 13 March, 2014.